That Floating Poo Was Far Too Symbolic! These Are the Television Disappointments of the Past Year.

As we reflect on the TV offerings of the past year, a selection of series emerge not for their excellence, but for their notable failures. From awkward spin-offs to confusingly poor docuseries, here are the productions that had us utterly bewildered or just reaching for the remote.

And Just Like That

Where to begin with this divisive follow-up? Burdened with dreadful writing, cringe-inducing arcs (justice for Miranda!), and a mere 71 seconds of fan-favourite Samantha, the show fought to find its footing. For a moment, as the final series started, it seemed as if it had finally hit its stride. Then arrived an installment all about Seema’s natural deodorant. No wonder the creator announced this would be the last series. It ended on a low point; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Yet, fans certainly found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t let out a little sob?

The Kim Kardashian Drama

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this drama's problems. The recipient of a exceedingly uncommon zero star assessment, it was hard to know where to begin enumerating the flaws. The laughably wooden writing? The tedious glorification of affluence and materialism? The almost deliberate procession of cliches? Acting so bad they felt almost spiteful? Let’s just say “each and every one” and never speak of this series again. Except, a second season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the restraining orders, domestic violence allegations and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d truly have known it from this three-part documentary which smirked its way at Sheen’s various bouts of self-destructive excess while failing to tell us anything we didn’t already know. Instead, it felt as if this volatile personality was being indulged, so any sympathy this series might induce should be reserved for the people who have had to suffer close contact with this charismatic but flippant egotist.

The Iris Affair

Naturally we understood it was ridiculous from the outset: a drama about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had given up trying. One barely reacted when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.

The Gangster Drama

Dodgy characters meeting in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

In truth, that is unfair on the gangland dramas of the late 90s. Many look a little old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge unconvincing dialects. But there were plenty of other problems. Primarily that it was just profoundly dull; a dispute over narcotics territory between various London picaresques which seemed rather simplistic.

With Love, Meghan

Considering the extent to which she grinds the gears of the nation’s ostentatiously enraged commentators, it’s temptingly tempting to applaud the Duchess of Sussex’s various forays into twee homemaking as intentional provocations. But then you view them and are compelled to concede that in this case, they might have a point. It’s like watching a homeware catalogue come to life; a poster for wine o’clock with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, Hallmark platitudes and pointless crafting “hacks” you’ll forget instantly. All supported by vast, largely undeserved wealth. Ugh.

The Beckham Documentary

There are clearly interesting things to be said about regarding Victoria Beckham and her journey with vocation, self-image, self-worth. But for some reason, this documentary series chose not to explore them. Instead, the viewing was like consuming a marketing catalogue. She clearly has every right to bridle at what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this guarded non-event of a series.

The Inheritance

It should have been the next big hit – except even camper, with a famous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a production that was trying way too hard to live up to something far greater than it.

Too Much

How does one succeed a show that defined a generation? The expectation was immense for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The star seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very glossy and, ironically, was not enough. Plus, the sheer amount of famous friends involved felt uncomfortable.

Mitchell & Webb Are Not Helping

Not good enough to be ‘uneven’.

Given the shrewd inclusion of gifted emerging comics, expectations were high. But sadly, most of it didn’t land. A recurring sketch was a one-note joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply inspired the idea that they should probably have stayed in there a while longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The material needed to be treated with care. Instead, the series laboured awkwardly to find the right voice, lurching from strangely breezy, slightly mannered farce to ultimately, real-life horror. Twisted? Arguably. A total mess? Very much so.

Prime Target

We love the star … but did we buy him playing the most brilliant maths genius since, a man so smart he’s on the brink of a discovery that could destabilise society? No! This international thriller about government agencies targeting – and killing off – intellectuals frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This uncritical portrait followed the content creator renowned for explicit escapades as she prepared for her most extreme challenge yet. What on earth would possess her? What we wanted was far greater interrogation of her actual psychology, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to drag her son away from the queue. What we got was disturbing shots and absolutely no critical analysis of her notoriety whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

William Dixon
William Dixon

Liam is a seasoned casino reviewer with 10 years of experience in online gaming.